Second Week in Advent
In the days since the US presidential election (which now seems but one phase in an accelerating process of rancorous division), I’ve returned often to a familiar prayer from Thomas Merton’s Thoughts in Solitude: Read more
First Sunday in Advent
A lot of the scholarly scripture commentary on today’s reading from Isaiah focuses on a question Christians have been debating for a long while: is the life to which God calls us realistic? Or is it an idealistic picture that is meant to give us small comfort, but clearly not meant for us in any real kind of way today? Read more
The post for the 4th Sunday in Advent is Jim McCoy’s post from 2012.
The word “preachy” has never been a complimentary term, even less so these days. The ministers rightly highlighted in the national news who have been doing their vital and admirable work are described as “compassionate, not preachy.” Those of us who not only have to preach but believe we should preach have been faced with how in God’s name do we preach the last two Sundays of Advent 2012, and how to do so in such a way in which compassion and preaching are not pitted against each other.
Third Sunday of Advent
One of the high-water marks of 20th century culture, an event that I revisit every year, is the 1965 television special A Charlie Brown Christmas. The fact that it continues to air fifty years after its premiere lets me know that I’m not alone in this assessment. And while the conclusion, when Linus strides onto the stage to remind Charlie Brown and all those gathered in the school gym “What Christmas is really all about,” might be the most rousing part of the short film, the opening scenes also speak in a pretty powerful way to the human condition. Read more
It has not been a peaceful Advent. The news of the past several weeks has been filled with guns, violence, death, and fear. What might we be required to surrender as we wait for the Lord? Who needs to change? Here are two reflections that use this Sunday’s Advent lectionary readings as a starting place: one by Matt Morin, and the other from Fritz Bauerschmidt.