Welcome home, my child.
Your home is a checkpoint now.
Your home is a border town.
Welcome to the brawl.
They are as familiar as any in the cast of characters that make up the mash-up we know as the Christmas Story.
The “wise men from the East” in Matthew’s gospel join the shepherds and angels found only in Luke to populate children’s Christmas pageants everywhere. With tinfoil crowns on their heads and festive tablecloths draped over their tiny shoulders, solemn preschoolers reverently place wrapping-paper-clad boxes at the feet of makeshift mangers. Parents and grandparents sigh and chuckle. Video and still shots are posted to Facebook before “Silent Night” has been sung and happy applause has been rendered.
Christians high-church and low have ritualized these stories (even as they have conflated them) in this very recognizable and much-beloved form. And why not teach children (and others) in such ways—through embodiment, performance, spectacle?
But for those who may be weary of the inevitable kitsch of this rite of passage, and perhaps especially for those who wonder if the whole nativity narrative isn’t just another fairy tale, it’s worth noting how the story of the wise men in Matthew (and also of the shepherds and angels in Luke) is rooted not in cuddly cuteness but in the politics of domination and costly resistance to it. Read more