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Rocking the Boat

Proper 14A/Ordinary 19A/Pentecost +9

Genesis 37:1-4Psalm 105:1-6, 16-22, 45bRomans 10:5-15Matthew 14:22-33

This week’s post is a reflection originally published in 2008.

 

I’ve been following a blog debate over at www.theolog.org [ed. note - this blog is now part of http://www.christiancentury.org/blogs] between a scientist of some sort, hostile to religion generally and Christianity particularly, and a pious defender of the faith. In my view, neither has been very impressive in articulating his case against the other, and the back-and-forth accusations and “gotcha’s” and outright vitriol have only escalated as the debate has gone on (and on and on). I tried briefly to weigh in on it earlier this week, calling for a little charity and humility from both sides, but, like a sister trying to pull her two brothers off each other in a backyard brawl, I was roundly ignored. Lesson learned.

The gospel text from Matthew 14 this week strikes me as the kind of passage over which science guy and defender guy would go at it, arguing past each other all the while—as they have been doing all week. The ghostly Jesus walking on the water is too much for the rationalist to take in; it’s laughable, even—easy pickins. The mocking denial of such an archetype biblical image of Jesus (and the sacrosanct truth it represents) is scandalous to the defender’s deeply-felt piety. You can almost hear defender guy quoting Jesus back at his opponent: “You of little faith, why do you doubt?” (14:31). Disagreement. Accusation. Counter-accusation.

Impasse.

What to say about such a text when there are probably many science guys and defenders guys (and gals) in our congregations? Whose side does the preacher take? Read more

cead mile failte

“Oh, Jesus Christ, Is It You Again?”

 

Third Sunday After Pentecost
Thirteenth Sunday in Ordinary Time
Matthew 10:40-42

When I first began attending mass several years ago, I was struck by the kind of welcome I received. Or, rather, the kind I didn’t. Raised in the over-eager Protestantism that hovers and fawns over every guest at worship (a well-meaning practice; I’ve engaged in it myself), Catholics were noticeably cool, it seemed—a little distant, even.

This wasn’t (and isn’t) calculating or conspiratorial on their part—nor on mine now as a Catholic. Any given group of parishioners at any given mass is not following a script about how to treat newcomers to the liturgy. And I don’t mean to suggest an absence of warmth or kindness; I’ve never experienced that in a Catholic church and I hope I’ve never communicated it. But I do think that the Eucharist—week after week, year after year—trains worshipers to know, even if they don’t or can’t articulate it theologically, that it is not the people or even the priest who does the welcoming; it’s Christ who does so.

All of us—long-timers and first-timers alike—are Christ’s guests, receivers of his gracious welcome. Read more

Tulip 7576

What Is There To Say?

 

Easter A
John 20:1-18
(RCL); John 20:1-9 (Lectionary for Mass)

You have to preach to those for whom the resurrection narrative is known inside and out, is loved and adored, is the sense-making story of their life in God, their life with others, their life in relation to all the world.  What is there to say?

You have to preach to those for whom the resurrection narrative is science fiction or harmful propaganda. They may be in church this day only to please a mother or grandmother. (There are worse things). They may smirk. They may sleep. They may pity your benighted ignorance. What is there to say?

You have to preach to those who are curious but who would never let on that the story of Jesus’ rising from the dead sometimes keeps them up at night. They have a healthy dose of the same skepticism as the group above, but unlike them, they have a hunch that truth can be revealed through means other than the scientific method. What is there to say?

You have to preach to those who long for subtlety and sublimity in an Easter sermon. They may share a good deal with group one but, like group three, they also live with a fair amount of uncertainty about things. They think that poetry and art might be the best media for conveying the story of Easter. What is there to say?

Much is welcome about the Church’s signature Feast: the glorious music, the sparkling Alleluias! after the soberness of Lent, the bursting forth of springtime (at least in the northern hemisphere). Yet how does the preacher communicate Easter’s strange, improbable story to this strange, improbable gathering? Read more

Luminous Darkness

“Luminous Darkness”

Epiphany 5A
Fifth Sunday in Ordinary Time
Matthew 5:13-16

Who among those who have read the gospels does not know that Christ has made all human suffering his own?

Origen, “On Prayer”

On Sunday, when I read that Philip Seymour Hoffman had died, my breath caught a little. I didn’t know him, of course, though I’ve admired every performance of his I’ve seen. (Oh, the power of cinema to make us feel like we know the actors we love—indeed to make us love them in the first place.) Hoffman was an actor of astonishing intuition and virtuosity. As one writer put it, “he could nail a part in one punch, summoning the richness of an entire life in the smallest gesture.”

It would be tempting to narrate Hoffman’s all too brief life and tragic death within the tired tropes of celebrity culture (money can’t buy you love; movie stars are desperately lonely people) but, thankfully, I’ve seen none of that in the moving tributes I’ve read to Hoffman’s life and art.

In particular, James Martin, SJ, recalls spending time with Hoffman in preparation for the off-Broadway production of The Last Days of Judas Iscariot:

Phil, as everyone called him, projected a unique blend of relaxed intensity as a director . . . He approached the text with an almost scholastic seriousness, carefully attending to every line in the script . . . From time to time, to illustrate a thorny point, or to describe the emotion that might underlie a scene, he would offer a story from his own life. “Did you ever have this experience?” Phil would ask, and recount a tale illustrating despair, or hope, or joy, or betrayal or trust . . . When I asked Phil Hoffman about his directing style on “The Last Days of Judas Iscariot,” he readily agreed with the inherent strength of the parable—or, in his words, the personal anecdote—in its ability to communicate more than a strictly worded directive . . . In Phil’s words, Jesus was always suggesting, in order that the decision to follow or not follow was always that person’s own decision.

Read more

Hickory Tree

End Times

First Sunday of Advent

 

Isaiah 2:1-5
Psalm 122
Romans 13:11-14
Matthew 24:36-44

The story of the end, of the last word
of the end, when told, is a story that never ends.

From Mark Strand’s “The Seven Last Words”

Christianity makes the brazen claim that Jesus of Nazareth is the end of history, and the double-entendre is deliberate.

On the one hand, the consummation that Christ’s resurrection makes possible cannot be an event in history, enclosed by history, any more than creation can be an event enfolded in time. On the other hand, the life, death, and resurrection of this first-century crucified Jew is the telos, the goal, the realized hope of all human (and non-human) existence. Jesus of Nazareth is history’s end.

In other words, the crucified and risen Christ not only completes history but ruptures it. Precisely in and through the historical contingencies of first-century Palestine—this specific set of laws and customs, that particular Roman procurator—the future, God’s good future, begins. In a backwater province of Empire, the truth of the triune God breaks history open not through political coercion or insurrection but with a revolution of forgiving, reconciling love. As John Howard Yoder put it:

The point that apocalyptic makes is not only that people who wear crowns and who claim to foster justice by the sword are not as strong as they think—true as that is . . . It is that people who bear crosses are working with the grain of the universe. Read more